![]() ![]() That, in sum, is the sort of thing the Acoustasonic format encourages. That said, it can be pressed into service of many different kinds of styles, perhaps some that are all your own. It is warmer, with a little more width than you’d expect from a Tele’s bridge pickup. Fender promises twang but this isn’t Pete Anderson levels of twang. ![]() Park yourself on position one for a more traditional electric guitar experience, but don’t necessarily expect a traditional Telecaster experience. In a sense, this is a sound that almost exists outside of the spectrum of acoustic/electric tones, and is sure to support pedalboard experimentation. The sound is just coming from the piezo and as you turn the blend control it adds drive. Here is where the true hybrid tones are, and as such, there are fewer references for what we are hearing. Join me for Fretworks for music of the classical guitar Saturday and Wednesday evenings at 7 on Classical 101.The Lo-Fi voicings are interesting. El Delirio is a serious 10 minute fantasy-sonata that makes quite an impression as performed by Spanish guitarist Maria Esther Guzman in this recording from 1994.Īlso on the program, guitarist Gregg Nestor will play 3 Film Waltzes by Milos Rozsa, the Hollywood film composer. Less often heard is El Delirio by the 19th century Spanish guitarist and composer Julian Arcas, who influenced Francisco Tarrega and the guitar maker Antonio de Torres. ![]() ![]() The celebrated Hungarian guitar duo, the Katona Twins have the Tango Suite by Argentinean composer Astor Piazzolla. The theme comes from Mozart's opera The Magic Flute. We'll hear American guitarist Eliot Fisk play Variations on a Theme of Mozart by the great early 19th century guitarist/composer Fernando Sor. The Concerto for 4 Guitars in B minor (originally for the lute) was recorded in San Antonio, Texas in 1967 with the San Antonio Symphony Orchestra. A Vintage recording of a concerto by Antonio Vivaldi from the "Royal Family of the Guitar," Los Romeros is featured this week on Fretworks. ![]()
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